Showing posts with label sketchbook. Show all posts
Showing posts with label sketchbook. Show all posts

Tuesday, March 5, 2013

My Day in Boston

My husband is gone 25% of the time from February through mid-May. Shortly after he returned home from February's trip, I learned the Embroidery + Embellishment class I'd registered for at the RI School of Design was cancelled. I was feeling sort of...desperate is a good word, desperate for something of my own in the midst of all this hard work of keeping everything running smoothly with no help during all this travel of his, and I asked for a day before the next trip arrived. I wanted a day during which I was responsible for nobody's needs or wants save my own--no school work, no home work, no lunches or dinner. He checked his calendar and came up with some options and yesterday, I took the commuter train to Boston to visit the Isabella Steward Gardner Museum, my objective being to sit somewhere beautiful for a while with no responsibilities.

Absolutely no photography is allowed within the confines of the museum, not even without flash, not even in the gift shop, so I have no pictures of the museum itself to share with you. It's an interesting place, though, because its items are from the collection of Mrs. Gardner; she also had the museum built and arranged her collections the way she saw fit, and then stipulated that nothing could ever be changed. It is a collection frozen in time--and this is why, after the shocking (still unsolved) theft in 1990 of several works, the empty frames remain hanging on the wall. The rooms can seem overwhelming; on the other hand, small delights are found everywhere. And in the center of it all is a courtyard, the place I remember most from my last visit to the Gardner, in my early 20s. It's warm, even in winter. Fountains trickle, green things grow, there are places to sit upon and just be somewhere beautiful, with no responsibilities at all.

I sat on a ledge and sketched. (I increased contrast on this photo since my pencil lines were so light; only pencils are allowed in the museum.)


I took my time wandering the rooms, looking at what I wanted to, not having to deal with anybody else's hunger or need for a bathroom or boredom. In the tapestry room I was drawn to this small silk scarf. The room is enormous, with huge tapestries everywhere, but I ended up kneeling before this small bit of silk, trying to sketch the tree motif.


(Even with increasing the contrast, that sketch is still hard to see.)

I was able to take my time in the gift store, too. I was hoping to find some postcards with images of lace from the lace cases--yes, cases of lace collected by Mrs. Gardner. How I wish I could have taken some pictures. The lace was gorgeous. You can get just a glimpse of the cases at this link. But the store is only about a year old and they haven't added any lace images yet--although I hope they do. However, the store is one of those gift shops that feels curated itself, a collection of carefully chosen items. It was lovely to browse for as long as I wanted. I bought a few things, too.


The card shows one of the stolen paintings, Chez Tortoni by Manet. The book, oh my, the book. It's just filled with images like this:


And this:


I want to embroider them. To my eyes--my biology-loving, ocean-loving, art-loving eyes--this is a book of embroidery patterns. This book had to come home with me. Of course!

I had some time before the train home, so I sat in the museum cafe and ordered the only appetizing-sounding gluten-free item I could find, a shockingly expensive bowl of mixed baby greens. But they made up for that by having really good coffee and a flourless gluten-free chocolate cake, and I ate it all, every last bit, except for the raspberries, because I do not like raspberries, but I do like flourless chocolate cake with chocolate sauce and a bit of whipped cream, and I don't mind sitting by myself in a cafe, reading a book and drinking coffee.

When most of your time and head space is given over to thinking and doing for everybody but yourself, a day alone is so, so necessary. I have requested, if possible, a day to myself in between all his business trips. I'll start dreaming about where I'd like to go after he's back from Thailand and before he leaves for Belgium...

Thursday, September 27, 2012

Snippets of Making

I've already started working on the list for next week's List-it Tuesday--the topic is "creative things I could do in 15 minutes or less," and since most of the creative things I do are slotted into small pockets of time, this is perfect. You don't have to make a colorful, artsy list to participate, either. You can post a hand-written list or type it right into the blog post. I'm guessing lots of people who visit this blog are familiar with the concept of making use of the odd quarter-hour here and there. Perhaps you'll join in next week?

And of course I mention this because it leads right into what I'm posting about--some snippets of making that I've been able to do lately; the fact that I've gotten some creative play recently is helping my mood tremendously. Sunday afternoon I got in some sewing, just two more zippered pouches that were already cut and pinned, but it's amazing how much just the act of sewing them up made me feel so much more like myself. One was for my daughter, the long-promised pencil pouch, and the other hasn't reached its destination yet, but I'll be sure to share some pictures of it when it does.

I also created a handmade card this week. I started by layering some collage and paint on a 9x12" piece of Bristol board. Then I cut it into four pieces and added to one of the pieces to make my card (not shown). Here are the other three pieces, waiting to be worked into at some point and turned into more cards.


Also this week I borrowed the Artist's Journal Workshop from the library. I saw Jodi's review and immediately requested it through inter-library loan. It's a fantastic, inspiring book. I would love to create spreads like the ones shown in the book. The thing with drawing, though, is you only get better at drawing by...drawing. So I've been trying to sit down and draw.


That's the spray bottle that I use for artsy/crafty things. It's usually on the ironing board or the art table, and last night it was on the art table, so I drew it. The bottom is off--that curve on the left? all wrong. But how do you get better at drawing? By drawing. And oooh, do you see the date stamp at the top right? I can't explain why I wanted one so badly, but I did, and it turns out they cost less than $5 at Staples. Satisfying a want for less than $5 is pretty sweet.

Feeling prickly is a fairly good indicator that something is out of whack, and what's been out of whack is filling my well with some creative time. So, into the tiny slots of time it goes--a quick sketch, a layer of paint, whatever I can manage. It's that important.

Thursday, July 19, 2012

Pages + Paint: Sketchbook

I've only taken a few online courses, but Pages and Paint is my favorite so far of the ones I've tried, mainly because it is getting me inspired to do. Last week, Week One, was mainly about setting up our studios and inspiration board/wall. The kids and I already have a great place for art-making--it's not perfect (I'd love some natural light), but it's by far the best set-up we've had in this house and I'm so grateful for it. The walls are filled with works by the kids and me, studies we've done together using different materials, to inspire us as we work. But lately I'd been thinking I needed a section of the wall to hang up the odds and ends I've collected that I want to have out so I can see them. So that's done now.

But I just couldn't wait to get into that sketchbook! So last week, after spending a day at the local salt pond with the kids, when I wanted to remember some of what we'd seen, I combined words and sketch.


I think if you click on that to make it bigger, you might be able to read what I wrote, too. And yes! We saw a BIG horseshoe crab, and it was so so cool! There is nothing like seeing creatures in their natural habitat--while sharing their natural habitat. I can't even explain how it fills me up to be able to give these experiences to my kids.

Combining words and sketches in one journal/sketchbook was a revelation for me. I don't have to have a journal OR a sketchbook OR an art journal (the last, quite frankly, I find intimidating). I can put it all in one place. Obvious, I know, but it was something that needed to click for me. And all those photos I take (because I always have my camera with me) of random things that catch my eye? I can print them out--regular computer paper is fine--and stick them in the book.


Now, in Week Two, we are working in our sketchbooks as a class. One assignment was to make a double-page spread that felt "finished." Since I'm using an 8.5x11" sketchbook, I turned it sideways to do this.


The quote is from an e.e. cummings poem. Again, I think it'll be readable if you click on the photo. I was actually able to do this during the day (usually I get creative time at night). My boys were engrossed in their books, and my daughter was at the art table with me, working on her own composition, with crayons, stamps, and paint. Love working with her like that.

Also this week, we were given prompts. Mine was sunny*yellow*shady tree*try a sketch*happy. Because I'm trying to get more comfortable with materials I don't often use, I sketched this tree with chalk and oil pastels. The leaves were added with paint.


As a reference I used a photo of the enormous "fort tree" in a nearby park. I wanted to try approaching this prompt in a completely different way, too, so later I did this one.


This is more collage and mashing different things together, something that still feels so challenging to me. I think I drew here with conte crayons, which are always more chalky than I think they should be.

I'm excited about the "bonus" assignment for this week too...and that's what I mean about this course. It's got me doing. I'm really enjoying it.