Making And Listening (And Thinking And Planning)

Dawn at Simple Things Notebook has started a new weekly post, Make & Listen Along. I made a note to myself that I wanted to join in, but somehow Thursday got here before I knew it. However, I snapped this photo today.

I carved the stamp one night this past week, while listening (more than watching) an episode of Merlin on Netflix. Definitely more listening than watching, because I take my glasses off to carve stamps because my close vision is much better that way. Today I stamped it on a piece of linen using screenprinting ink. I have plans for that linen--last week I also cut out several fabric pieces for some prototypes of ideas I have, using the materials I have on hand.

As for music, I usually have Pandora playing over the TV, often a mix of stations, but in the morning I keep it on the 80s alternative station. It helps get me moving, especially on days (like today) when I've been awake since 4:30--not by choice. Darn body and mind, they don't always cooperate with sleep. It's still (always) one thing after another here...small things, most of them, but cumulatively wearying. The latest is my 8yo's diagnosis of asthma, which truly isn't surprising, but is still a little overwhelming at this moment. (It'll get less so.) My 11yo is scheduled to get his adenoids out tomorrow. My husband leaves again in two weeks. No wonder I have trouble sleeping. And it always seems nearly impossible to get out from under all of it and make any sort of plans for myself. But I am. I've already made a tangible start. I'll tell you about it soon, I hope.

Also, I think I need to get a CD player for the studio area, or at least play Pandora over my phone. There's no music down there! And I do love to listen to music while I work.

Walking the Path

My husband left last Friday and doesn't return until Monday. He'll be home for less than three weeks, during which time my oldest is scheduled to get his adenoids out, unless he catches the germ his younger siblings have right now, in which case we'll have to reschedule, except having already taken him directly to the ER with younger siblings in tow after a so-called simple tooth extraction while my husband was away last summer, I don't want to have this surgery done unless both parents are actually in the country. This year is looking remarkably like last year in a lot of ways: kid surgery (which was, indeed, rescheduled last year because of illness), husband travel...I am working on walking the path with grace, however. And I really do mean working on it.

I have, shall we say, tangled feelings regarding all this travel. I would not choose to carry so much of the home-life responsibilities by myself, but I wasn't given a choice. I wasn't consulted at all; I may have elected to do things differently, way back when, had I known the travel would grow and grow and grow, no end in sight. It's not that I'm not capable; I'm extremely capable. And it's not that I shy away from difficult things; I have always been a hard worker, willing to do what needs to be done. It's that I feel powerless. I think that in any difficult circumstance, the difficulty is compounded when we feel helpless or powerless. I didn't choose this. I don't want this. It doesn't matter.

I'm working on it.

Meanwhile, I wrote myself a colorful list of things I want to make/do/research while he's away. I'm chipping away at that list slowly. Here is some of what I've accomplished--and all photos are dimly lit photos taken by my phone, so I can tweet them. But you get the idea, well-lit or not.

This stamp was inspired by Egyptian faience, specifically this hippo. This second stamp is also thanks to the hippo:

I have a couple more stamps I want to carve, too. And I have some turquoise fabric. And I have some ideas of combining them...

And just as I painted rocks for the kids for Valentine's Day, I decided to paint wooden eggs for them for their Easter baskets. This is my daughter's, in progress.

I just...you know, some of the lines aren't perfect--I probably should have used a Sharpie rather than paint for the black outlines--but I just get a kick out of this every time I look at it. I plan to use the same shiny-making acrylic varnish on the eggs that I use on the rocks to seal it all up. I think she is going to LOVE it. I'm hoping to paint Yoda and Darth Vader for my boys' Easter baskets.

I also have "knit two sleeves" on that to-do list, and I haven't started them. I have six more days on this trip. Think I can do it??

Green Postcards

Karen's latest monochromatic postcard swap is focusing on the color green. Last night, I carved a stamp inspired by the painted silk scarf at the Isabella Stewart Gardner Museum. (I talk about the scarf in the last post.) I decided I wanted the print to be the outlines of the drawing, to most closely resemble the print on the scarf. This, or course, was the most laborious decision I could have made as far as carving the stamp goes. Whatever. That's what I wanted.

It took about two hours to carve the stamp, and towards the end I was getting a little lost...I just kept my eyes on the pencil lines on the carving block and trusted those to be my guide. I am utterly delighted with the finished stamp.

Here's a finished postcard--I made four in the series. (I even numbered them.)

On the back, I explained the inspiration for the print. These are, as my 8yo pointed out, much simpler than my previous postcards (blue and yellow). The background is green watercolor, left to dry with some plastic wrap on top to create some texture. The stamp is printed in dark green acrylic, and I painted the border.

It's not just the finished cards that please me, or the stamp, although I really do love it all. It's that this is a direct result of getting to visit an art museum on Monday. I was inspired, and that is such a good feeling.

Yellow Postcards

When I realized on Thursday that we'd be spending the next several days at home, I made a list of Things To Get Done During This Storm. I've been using the sticky note program on my laptop, and that sticky note is gone--I did everything on my list. That means I have some things to blog this week, starting with these sunny yellow postcards for Karen's Yellow Postcard Swap. What better color to work with as the howling winds covered everything with snow?

I call these first two my lemon ladies.

I thought about adding some text but then decided to let the recipient--and you all--fill in your own ideas. Are these women making lemonade from lemons? Are they making some snide sarcastic remark about the idea of turning lemons into lemonade? I couldn't make up my mind. What do you think?

These next two have a print of my sunny compass rose.

I made these the same way I made the blue ones--I gathered a pile of papers in the chosen color, made a larger collage/paint background, and then made the final compositions once I'd cut the larger sheet into four pieces.

Here's to sunny days ahead!

Blue in the Mail

These are finally on their way to Karen for the Mail Me Some Art Blue Postcard Swap. I've been meaning to join one of her swaps since she began them. It took me a while...on the plus side, I am so pleased with these four cards. They were fun to make, and I think I've improved quite a bit since my first postcard swap. The "rule" for this swap, as you might have guessed, was to use blue. A bit of contrast is okay, but mainly, we're looking at blue. Why blue? Karen also lives in New England. Have you visited New England in January? It can lend itself to the blues, if you catch my meaning. So.

These four began as one 9x12" sheet of Bristol board, collaged and painted. Then I sliced it into four pieces and added more collage pieces individually. Here's the first:

 I added the circles of text and the ghostly image on the right-hand side. It's a cut-out ghost sunprint of a skate egg case, but it kind of reminds me of someone with their hands over their head.

To this second one, I just added some washi tape, a strip of text painted blue, and a blue circle sticker. One of my kids was given a game for Christmas that had stickers that needed to be applied, and there was lots of leftover background sticker on the sheet, so I saved it to cut shapes out of.

I really like this third one. Those are more sunprints, cut out and glued on.

And the final one has this little girl in a blue-checked dress, cut out from a vintage sewing pattern envelope.

I really like beginning with something larger and then cutting it down, because I enjoy the found compositions in the smaller pieces. They each become their own little world that I can work into in various ways.

The swap is open for another week, if you're interested in joining in--the postmark day is January 21.

AEDM2012: Days 13-16

I finally scanned this afternoon, so I'm sharing three map-inspired pieces from last week. It counts as four days' work, though, because I carved another stamp, which took two full episodes of Freaks and Geeks on Netflix.

But I'm getting ahead of myself! The first thing I did was slice some printed-out maps into 1-inch strips. Then I glued them down with gel medium. This first has strips of the topo map that inspired the line maps in this post, arranged with space between the strips. When it was dry, I rolled some gesso on top. It's really light and delicate and hard to scan. The only other thing I did was add a light wash of blue watercolor in between the map strips. It's hard to see in person--it's so delicate--so it's probably impossible to notice here.

"File Copy"

I have to angle my screen just right to see this at all. I really love it in person.

The next piece used strips from a much more colorful 1947 map of Rhode Island and some of the surrounding states. I glued those down without spaces, added the gesso, and decided it needed a big compass rose. So big I had to go buy a carving block because the ones I have are all 4x6". This is the stamp I drew and then carved.

And here it is on the map collage.

"Sound"

I don't know if you're getting how much fun this is. Granted, some days I am just, What on earth am I going to do on this map theme again??? But I'm really enjoying a lot of what I come out with.

Finally, this last piece (for this post) is inspired by a 1997 topo map of the area around Killington, VT, which is also where I was married, two years later.

This was drawn with Zig Millennium pens and colored in with colored pencils.

I will continue to try to catch up with the posting without slacking on the making! Reminder, more Art Every Day Month participants can be found here.

AEDM2012: Day 8

Wednesday I felt a Sick coming on, so I crawled into bed around 7 pm with some tea and honey, the heating pad, and a bunch of books and knitting. I mainly ignored the books and knitting; I finished the tea and dozed on and off, crawling out of bed only to dispatch children to bed at their appointed times. I felt better on Thursday, so I suppose my proactive approach worked? But all I managed on Wednesday was a little bit of sketching.

So Thursday night, I headed downstairs to do a little daily art plus some. First, a map. I rarely go to my childhood neighborhood even in my head (never in person, anymore), but I decided to create this quick, childlike map in a sepia watercolor pencil, hoping for an old-time look.

You can click to make it bigger. If you lived in that neighborhood with me (hi, Jill!) you may not recognize what I chose to put here. The BIG HILL is of course not all that big; but it seemed that way. And I don't know if we always sledded down it--how could that be? didn't they plow streets in the 70s/early 80s?--but I remember doing it at least once. The "deep dark woods" was really just a patch of trees on a hill between streets, but I loved going there and pretending I was Far Away. The "pond" was probably just an exaggerated puddle in a swampy area, but I did fall into it once, when Michelle (whose house is at the top of the BIG HILL) dared me to walk out onto the ice, and I did. As I said, it was a puddle; I only got wet up to my knees or so when the ice broke, but the rocks--which were there as fill, because they built houses on that swamp the next year--all froze to my corduroys, and it was funny. And I marked the way to Stop & Shop because at five years old, I figured I'd have to live in my parents' neighborhood forever because at least I knew how to get to the supermarket from there.

Well. That's more childhood reminiscing than I am likely to do for the next year. And how about this --I realized a couple hours after I drew this that I signed it with my maiden initials, abc, rather than my current ones. I signed it with the initials of the person who lived there. Funny Brains.

Also last night, I made some postcards for iHanna's latest swap, which has a theme of "empowerment," which can be interpreted any number of ways. I chose simply. Here's my group of cards to choose from (we only need five):

I already had all these backgrounds ready, so it was just a matter of deciding what to do with them. I am partial to the "Grow" cards; I think I will have to keep one for myself.

 Also using the theme of trees and growth:
 

And finally, more of the compass rose from earlier in the month. It's not the best choice with these backgrounds, but I think these two hold up okay.

There's still plenty of time to sign up for the postcard swap, if you're interested--right here!

AEDM2012: Days 1-3

November is Art Every Day Month, and while I have no hope of posting daily, I do hope to create daily. Actually, I do that daily anyway--rarely does a day go by that I don't at least knit a little. But my goal for November is to create 30 pieces dealing with the theme of maps. Why maps? My kids like to make maps. I like maps--new ones, old ones, imaginary ones...they're intriguing. I recently borrowed Mapmaking With Children from the university library, seeking inspiration and ideas to use at home. My younger two kids and I found some old maps in the local antique store and made some color photocopies for collage purposes, and then while I was ordering some books for my daughter on Amazon, the site suggested I might like Personal Geographies: Explorations in Mixed-Media Mapmaking. Why yes, Amazon, you smart cookie. Why yes I would.

So in other words, I have maps on the brain. To get ready for AEDM, I collaged with some pieces of an old US wall map (it hung in our hallway until it finally got too shredded around the edges and I replaced it). Around the collage, I brainstormed some map ideas, and when the Amazon order arrived, I read my new mixed-media mapmaking book. (It contains more step-by-step instructions on how to re-create the author's projects than I like, so I'm mostly looking at the pictures and reading the text for inspiration.)

November 1, I only managed sketches of ideas for compass roses--I spent most of the day vacuuming, doing laundry, and zipping things into allergen-free barriers thanks to my middle child's newly diagnosed dust-mite allergy. One of those sketches led to this painted rock, Orient:

I like clean geometric lines, but this was definitely informed by Mondrian, especially the color scheme. (Yes, a rock can be inspired by fine art; why not?)

Another sketch became this hand-carved stamp:

That was Day 2, Friday. On Saturday, I created these 2-dimensional pieces. I'd cut a stack of paper into 6"x9" pieces, so each finished work will be the same size...easier for compilation later, is what I was thinking. The first piece, Find Your Way, used the stamp and some purchased alphabet stamps.

I scanned this in, and the background, which is a mix of blue and green watercolor with plastic wrap on it while it dried, for the texture, is not quite as light and washed-out as it appears here. I used black block-printing ink for the stamps. The second piece, Map of My Brain, is also a scan.

You ought to be able to click on both of those for a bigger view. My brain hasn't been the best place in which to travel lately. For months now, actually. I don't usually get this personal on this blog, so I think I will just share the artwork without further explanation.

I may only manage sketches today, as well, as I'm heading out shortly to my assigned clean-up spot. I have to park, check in, and take a shuttle to the shoreline, which is under restricted access. I'm not sure what to expect, beyond coming home chilly, tired, and perhaps a little gutted.

Gifts for Nieces

Last week I made a couple of small things for my nieces, which of course couldn't be shared until I gave them to them yesterday. My oldest niece turned sixteen last week, and she'd asked for a special birthday shirt, like the one I made my daughter. Of course, I was happy to make her one!

There are some smudgy bits that I'm not happy with, but I stopped myself from pointing out each and every one to my niece. Once the first coat of paint had dried, I had to touch up a few spots, so I did, but those spots (don't know why) began to look different as they dried, so I covered the whole thing with an even coat of paint, but those touched-up spots still look different to my eye. This has never happened before with this paint, so I'm not sure what caused it or what to do differently next time. Other than that, I think it's adorable and it looked really nice on my terribly grown-up looking niece.

Since we were bringing gifts for my oldest niece and a gift for my nephew (whose birthday was last month, but I was a little late!), I thought it would be nice to bring something for the youngest in the family, a five-year-old who has to wait all the way until February for another birthday. Using her Zodiac sign of Pisces as inspiration, I painted her a rock.

Black is her favorite color, and I wanted to use silver on the black, and she also likes pink...and thus the color scheme was set.

And my husband and I received a HUGE gift of our own--we left all three of our children with my sister after the birthday party and we spent the night in Boston. From about 5 pm Saturday night until about 1 pm Sunday, we were in Boston just us, doing grown-up things. We got dressed up and went out to dinner. We had brunch and I didn't have to stop eating to cut anyone's food. (It was fairly easy to find safe places for me to eat in Boston. It is such a treat to simply go out to eat.) We talked without anybody interrupting us. We slept past 7 am. When I say we have rarely managed to date since having children, that is a huge, huge understatement. This was like a decade of dates rolled into one, and it was long past-due.

(I have the best sister, don't I?)

Scratching the Itch: Zippered Pouches

Do you ever get it into your head to make something in particular, and then there's just no getting it out of your head until you do? Some time last week I decided I wanted to make little zippered pouches, to have on hand for gift-giving or just plain spontaneous generosity, not to mention I'd like a new one too. I'm not sure exactly where this idea came from. It might have been while I was trying to jam everything back into the small zippered pouch I use as a wallet. It's only a tad bit bigger than the size of a credit card, and I have so many cards that size stuck in there. It's fine to slip one or two out, but if I have to take them all out to look for something, it's really hard to get them all back in again.

Geez, I thought, I should just make my own. I might have had that idea while flipping through my copy of Sew What! Bags for fun one night (you do that too, right? just look through project books for fun?). There's a recipe in there for a wristlet, with the idea of modifying it to make a small zippered pouch. But where to get short zippers? I don't remember seeing them in Joann's. Etsy to the rescue! I ordered ten 5-inch zippers from zipit. With shipping I think they cost about sixty cents each. While I waited for them to arrive I cut 6.5" by 4.5" pieces from scraps, enough to make four pockets to start with. I chose plain outer fabrics (linen and scraps from an old, soft button-down shirt) so I could stamp them.

Clockwise from top left: Birch leaf; Irish moss; winter tree; summer tree.

A bit wonky in places, but cute! So cute!! They are just under 4x6 inches, and they are lined, of course. (They all have the same lining.)

So, I am still not great at zippers. My side seams don't line up exactly, and I don't seem to understand how the zipper foot helps anything, really, and I feel like I am actually sewing too close to the zipper, so the lining fabric tends to get stuck--especially in the one with the seaweed print (top right), where it really does get too close to the teeth in one spot. But yet, it also feels like too small of a seam allowance with the fabric. Maybe I shouldn't line the top of the zipper up exactly with the top of the fabric before sewing. If I position it down just a little bit so the stitching isn't so close to the top edge of the fabric, would that be a bad thing? Anyone have zipper-sewing tips to share?

Luckily, I have six more little zippers with which to experiment, and I know where to get more--in so many sizes and so many colors! Is it weird to feel like a kid in a toy store when faced with all those zippers?

Any creative urges just been nagging at you lately?

Linking up with my creative space...

Sewn: {Last-Minute} Teacher Tote

I'm so glad you all seem to be enjoying reading the Squam stories as much as I'm enjoying writing and sharing them. I have a couple more coming up, but tonight I wanted to share this last-minute teacher gift. I've been thinking of it as the "crazy bag" in my head, which isn't fair, because the bag itself isn't crazy. It's more me, kind of. Anyway, first the bag:

And excuse the poor lighting; I made it tonight and am gifting it tomorrow, so daylight photos aren't an option. Tomorrow, see, is the last day of school. It sort of snuck up on me, which is weird, because I've been counting down to it for months now. (I have a little song about school lunches, and how many more I had to make, to the tune of "100 Bottles of Beer on the Wall." And when I got home on Sunday, my husband said, "Packing the lunches sucks!" No kidding, I said. Haven't I been saying?) But anyway, this is the earliest we've ended since we started going to that school--no snow days this year. We did have four hurricane days right at the start, but we made up three over the course of the year. One year we had flood days--four of 'em. They are not kidding when they say anything goes, weather-wise, in New England.

So, right. If I'd have been here last week, I'd have been thinking of teacher gifts, but my husband was being me, and he is not the version of me that thinks of these things. Typically at the end of the year I try to do something for all the teachers and staff, rather than individually, like I try to do before the holiday break. So I'm bringing in two iced boxes of joe tomorrow morning to leave in the office. But my oldest has had the same teacher for three years in a row, and he's moving on, and we wanted to give her something besides the shared coffee. But what? Nothing seemed right. So at ten this morning I decided I needed to make her something, and I went and found this tote tutorial from Zaaberry that I'd pinned over a year ago.

Did I mention my sewing machine wasn't actually in my possession at that point? I'd left it to be serviced while I went away, and it was pouring yesterday so I didn't want to pick it up. I got it back this afternoon, came home, fed the younger kids lunch, decided upon fabric, and cut my pieces. Because my husband is away, I didn't get to start sewing this until 7:30, but it's a quick sew, at least. My one concession to time was to use the thread already in the machine, thinking I'd match fabric to it. But I decided the bag should be this linen combo, which doesn't really match blue, except I had no brown thread and nothing that would go any better than the blue, so I kept it.

Oh! Take a closer look at the leaf print.

That's a birch leaf stamp that I carved the other night. I just had to. I'm so delighted with it. It's going to show up on other projects...one I'm quite excited about but can't show you yet. I'm so pleased with this stamp, I decided it had to be incorporated in this bag--it's on both sides. I used liquid acrylic craft paint, both because I don't have brown textile paint and because it's quicker and works just as well for this sort of thing, and it doesn't need to be heat-set (and it still won't wash out).

The really cute thing about this bag (and the reason it has that great button, which came in one of my WhimseyBoxes) is that it folds up.

So his teacher can just have it in her bag and use it at the library or the farmers' market or wherever she may be this summer and in need of a re-usable bag. I'm kind of smitten with this bag altogether. We're going to say the blue thread was a design choice, and be very forgiving of the wiggliness of linen (I'd forgotten how it moves when you try to cut it, if I ever knew). My son, to his credit, also seemed pleased and appreciative and thought it was a good gift. I think he is also admiring of the way it folds up like that, like it's almost tactical or something.

I'm linking up with these creative folks (missed them last week!) and then I'm going to lie down...

Weekend Creativity + One Last Poem

Happy Monday morning! Lots of photos today, sharing some of what I was up to this weekend. First off, my younger son and I went to the Hera Gallery's Postcard Fundraiser, to which I donated two pieces. He's a good companion for these sorts of things. Together, we looked at all the art for sale; I decided we could each pick out one. We discussed and deliberated and came home with these.

My son picked out the one on the left, which is by Susan Hayward, an artist with the gallery. I chose the one on the right, a print by Mary Kudlak.

Also this weekend, my kids and I, inspired by William Steig's Rotten Island, drew some monsters of our own. Do you know the book? It's a fun read, with vivid pictures and description of the island and its inhabitants. I drew several monsters, but this one makes me laugh.

On Sunday, I took a found hour and made the most of it, bouncing between a couple of projects:

Ready to begin carving

Carving complete

Still not finished with this.

Yes, I seem to be a bit stuck on trees lately, even with the knitting:

This is a Branching Out mitt from Coastal Knits, using Cascade 220. It calls for a thinner yarn than that, but it'll work just fine. I knit a complete mitt (minus thumb) in some sport weight I've had lying around since last spring, but I don't. like. that. yarn. At all. I'm going to use it for felting, since it just wants to stick to itself anyway. (That's what I get for being kindly disposed to unknown yarn--it was bought at the silent auction at my kids' school.)

And finally, I'll leave you with some happy baby pigs (trust me, they're small; I don't have a mama in this photo for scale) that we saw when we visited a local farm this weekend. I could do a post just of animal pictures--sheep and lambs and chickens and the chickens' guard dog. It was very spring-y there.

But truly, the baby pigs? Were adorable. This picture doesn't do them justice. And for the month's final poem, I decided upon straightforward. Poetry Month makes me happy.

Happiness
by A.A. Milne

John had
Great Big
Waterproof
Boots on;
John had a
Great Big
Waterproof
Hat;
John had a
Great Big
Waterproof
Mackintosh--
And that
(Said John)
Is
That.

From When We Were Very Young.

Small(er) Things, Embroidered and To-Be-Embroidered

Remember that Japanese fabric that told me it wanted to be embroidered? I've begun.

(That was taken after dinner on my back deck because the weather has been beyootiful!!!)

Here's almost what it looks like now, not including what I added while I sat on the deck while my daughter played in the sandbox because the weather has been...oh, you know. I already said that part.

This right here is several things. Firstly, it's just under 4"x6", by design. Secondly, it's the first time I've embroidered on a multi-colored background, except for the August Stitch-a-Long, but that was different. I've admired many of the pieces I've seen that embroider on top of patterned fabric and finally got the nerve to try it (because the fabric told me to). This is just a simple design, so so basic--overlapping circles of primary colors, definitely not anything complex there! But I'm discovering that as the colors in the fabric gradually shift, my perception of the seed stitch against the background subtly shifts too; in other words, it's more interesting than I anticipated. It makes me want to try more (adventurous) things with color shifts of floss against color shifts of background.

Also, I think I am drawn to this piece of fabric because I had a similar-looking flannel shirt in college... (Pearl Jam, yes! Nirvana, blech).

I was intending this piece for a local gallery's Postcard Fundraiser (which does not appear to be limited to local artists--please click the link if you're interested). But then there are these...

(Photographed on the big rock in my yard, in the sunshine, because the weather has been...right, you know that already.) These are stamps I've carved, printed on cotton using textile ink, each 4x6. One of the thoughts I had while reading Hoopla was to try mixing embroidery with other images on the fabric. So these were heat-set the other night and are waiting to be embroidered upon, when I'm done with those circles.

I have some knitting to show you, too, but that will have to wait until the next post. But before I go, I wanted to share some of nature's own elegant weaving that my middle child spotted this morning:

Linking up with our creative spaces (click to see more creativity!).

Postcards

I've completed the postcards for the postcard swap! So before I show them, I'll tell you that I always have a nagging feeling that whatever I make won't be good enough or up to the standards and that's a main thing that has been holding me back on this sort of thing. I signed up anyway. (I'm trying to be more open, remember?!) There are lots of small things that I wish were a bit better with these postcards, the biggest being that I tried three different types of glue/paste, the final one being the rice paste I use for bookbinding, and set them to dry under or in a big huge book (my art history book, which is great for this sort of thing), and some of them still have a curling problem. I hope it doesn't cause an issue in the mail sorting machines, and I wish I knew what to do about it.

So anyway, these are my finished postcards, in sets, and here are the papers I began with for the collages, if you want to look back. Some of them look very different once cut up!

These are more or less random collages in that I had no plan when I began and simply wanted to play with the papers and see where it led me. I think the two on the right, and the one on the bottom, are the most successful. The bottom one was created by cutting the striped paper into one-inch strips and then piecing them together, almost log-cabin style but not quite. I find the stripes much more interesting this way. Each bit becomes its own little composition. I really enjoy slicing painted papers into smaller pieces for just that reason.

I've been thinking of this next set as the "seashore set."

After these collages were dry, I stamped them, using blockprinting ink. You can see where it took me a couple of tries to realize that where the paper joins, I needed to apply a bit more pressure. I'm actually okay with this skip where it occurred though. It's proof an actual person made these, yes?

If you count, you'll see that's just nine. Going against my own wise instinct, I tried to paste too-big a piece of vellum onto one of the postcard blanks, and it curled horribly. Since I needed to make more, I decided to make extras. These four were watercolored, then block printed.

Totally abstract, and I like them quite a bit. I cut the watercolor paper to size, then used rice paste to glue the watercolor paper to the postcard blank (I'd printed these out on cardstock, so I could personalize them with the swap date, my state, and my name and blog address). Most of them didn't curl too badly. I accidentally smudged some ink on the bottom right one though, so I don't think I'll mail that one out for the swap. The stamp, by the way, was carved at a parent/child program, with a textile design as the inspiration.

So those are my postcards. I hope they hold up through the mail. I hope the recipient enjoys them. Despite my huge insecurities with this sort of thing, I went ahead and signed up for the Art House Co-op's 4x6 exchange today, so I'll be thinking on what to do for that next.

Shared with our creative spaces...such an inspiring community of bloggers!

Some other fun things around the web lately:

* I have a post on Kidoinfo on the wonders of freezer paper for the uninitiated.

* After a couple months of waiting, I received my Whimseybox invitation this month and signed up. I just think it sounds like a cool challenge and a way to explore different materials. I was pretty excited to see the invite in my inbox, and the first one should arrive, I think, while my husband is away, so perfect timing there! Fun things in the mail are always nice when I'm holding down the fort alone.

* You've probably heard about Taproot by now. I was really excited to get an email telling me that I would be receiving a free trial issue because I'm a Nova Naturals customer. I don't remember how or when I first came to Nova Naturals, but I know I only had two kids at the time. When I first saw the announcement about Taproot, the fact that Nova Naturals was involved made me more interested. I have always admired not only their products, but their philosophies and customer service (plus they're located in the only state without a coastline I'd ever want to live in, Vermont). Their catalog is so beautiful that when my daughter was a toddler, she would carry it with her everywhere. I love the toys we've purchased from them; they have a soul. Even after reading of their involvement, I was completely surprised that they'd send a trial issue. Really, these small considerations make me so happy! And I'm eagerly awaiting to see the magazine in person. (Yes, I subscribed, too..they had me at "valued customer!")

I hope your days have contained some sweet surprises as well!

Saturday In My Studio

Saturday afternoon, my {awesome} husband took the kids to the library and on other errands, while I stayed home and played in the basement studio.

First I painted.

The smaller pieces are ATCs for a project I'll talk about more another time. The larger pieces are papers for collage, with the postcard swap in mind. I started with watercolor for all of these, but I added acrylic onto the patterned papers. Here's a closer look at them.

This green one is my favorite, I think. It's green watercolor topped with dark green acrylic polka dots made by stamping a wine cork. Then I added those yellow highlights around the dots with a paintbrush.

This is one of two papers I stamped with a rectangular piece of what I think is compressed cardboard. It was used as packaging for something and I held onto it for the ridges on the long sides. I'm going to have to find more because it didn't rinse well and I'm not sure it's reusable. I used it on two of the papers.

I was curious if I could paint vellum. It curled up almost immediately! But the watercolors dried almost immediately, too, so the curling was okay. I think I'll be able to use these for collage in small pieces. The glue will hold it down.

I painted a few papers with sand and water in mind. Since I'm sending these postcards from Rhode Island, I want to include something that evokes the area, and my Rhode Island is very ocean-centered. (There is more to the state, of course, but it's the coastline that holds my heart.) All of these began with watercolor. The stripy one was painted over with acrylics, and the other three were sponge-painted with more watercolors.

When I was done painting, my husband and the kids were still out, so I carved a stamp. I already have several hand-carved stamps I may use in the postcards, but I looked at my sketches of ocean life from the summer and chose one with a clear outline to turn into a stamp. (As much as I really want a stamp of this hermit crab, I thought it would take far more time than I'm likely to have.) I decided upon Irish moss.

I need to clean up a couple of more spots. And even with the solid outline, all those branchy bits meant this took a bit of time, anyway. Still, not as much time as that hermit crab will. (I may just have to attempt it as a stamp at some point in the future.) If you're curious about carving stamps, I have a tutorial posted. It's really not that hard, it just takes patience and a steady hand.

What a wonderful gift, some uninterrupted time to play in the studio! How is your weekend going?